Continuing the Burneside saga; the scene of the railway street-running tramway was what I was really looking forward to modelling. No trace of this remaining in the village, barring some faint impressions in the tarmac (I wonder if the rails are still under there?), but it ran roughly following the dashed white line of the road then down the side of the church, past the bus shelter.
The road was done in 1mm mountboard; I spent quite a lot of time trying the placement of various buildings to get the composition right.
At this stage, I was still thinking of using the resin buildings...
...but changed my mind, and went for using all plastic kits, either the 90's Town and Country...
...or the earlier range, which were HO scale and mainly imports from German firm Pola. Using these would allow a bit of forced-perspective modelling.
Trying clearances.
Ah, the chaos of working at the old house, everything squished on the end of the table in the Workshop Kitchen Laundry.
This house was built for me by my parents back in the early 1990's as a pressie; I really wanted to re-use it, but the cream brickwork needed toning down a bit to look more Cumbrian. A few washes of thinned-down brown acrylic, and a pass of Citadel Nuln Oil did the trick. This was pretty much the method I used for all the buildings in the end.
And here's the diorama, complete with greenery.
This was exactly the sort of scene I'd envisioned when I started the project.
I'd mixed in a bit of scatter with the sprayed gloss varnish, to look like leaves blown into the roads by the rain and wind; I was wanting to model the layout as if it was the end of summer.
On the overhead shot, you'll maybe have noticed the railway running down the backs of the houses- as the above pic shows, this is one of the more tantalising remnants of the real tramway. There's a couple of places in the UK where you can see this sort of thing, the Leiston Works Railway being the best known, but it's too far for a quick jaunt though.
You get a bit of an idea with the Derwent Valley in York however.
I wanted a scene of the tramway squeezing through the back streets of the village, so used a space at the edge of the board, making the most of the backs of the existing street.
That Pola house was cut in half, and used to create a pair of low-relief houses.
This bit is one of my favourite views on the whole project.
Final part, the countryside section, will follow next...